2287 безплатни аудиофайлове за "C Sharp Chords"

VI7 in C minor. Created by Hyacinth (talk) 15:26, 2 July 2011 (UTC) using Sibelius 5.

Minor major seventh chord on IV in C. Created by Hyacinth (talk) 11:19, 1 July 2011 (UTC) using Sibelius 5.

III+7M chord in C minor.

Dominant seventh raised ninth vs dominant seventh split third chord.

Common-tone diminished seventh chord.

Leading-tone seventh chord in C major.

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Dominant seventh chord (V7) in C, G7.

Dominant ninth chord on C.

An arpeggiated chord. Created by SreeBot (talk) using Sibelius 5. GFDL-self

D chord in all fourths tuning.

German sixth equals dominant seventh

Tonic thirteenth chord on F. Created by Hyacinth (talk) 22:14, 1 July 2009 using Sibelius 5.

Augmented dominant seventh chord on C

Hendrix chord.

Example of an altered chord progression in jazz.

Ab-over-A slash chord.

Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).

Dominant seventh tritone resolution chords, As MIDI

F majorΕλληνικά: Η συγχορδία ΦΑ μείζονα

Dominant seventh in Monteverdi's "Lasciatemi Morire" ("Oh, Let Me Die"), Lamento_d'Arianna. Created by Hyacinth (talk) 09:44, 12 January 2012 (UTC) using Sibelius 5.

Dominant seventh with root doubled and missing fifth resolving to I, in C.

Pandiatonic chord with nonharmonic bass in Igor Stravinsky's Symphony of Psalms, 3rd movement.

Young temperament major chord on C. Created by Hyacinth (talk) 17:25, 15 December 2009 using Sibelius 5

Diminished seventh chord as incomplete ninth in C.

Diatonic scale on C, staccatissimo articulation.

Diatonic scale on C, staccato articulation.

Diatonic scale on C, legato articulation.

Slendro vs whole tone scale on C

Diatonic scale on C, tenuto articulation.

Ogg Vorbis sound file of C Major scale

Violoncello chord on D.

Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.

Chord progression with diminished seventh chords added, without chords added yet.

Neapolitan major scale on C - As MIDI

Diminished seventh chord on B.

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.

Felix Mendelssohn Bartholdy, Songs Without Words, Book 2, Op. 30, No. 6, Allegretto tranquillo in F-sharp minor ("Venetian Gondola Song No. 2") Felix Mendelssohn Bartholdy, Lieder ohne Worte, Heft 2, op. 30, Nr. 6, Allegretto tranquillo in fis-Moll, "Venetianisches Gondellied Nr. 2" Piano: Membeth, Dezember 2011

Lydian augmented scale on C.

Diatonic scale on C, transposing clef.

Diatonic scale on C, bass clef.

Istrian mode on C

Diatonic scale on C, guitar tablature clef.

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

Lydian dominant scale on C.

Diatonic scale on C, equal tempered. Created in Sibelius with no midi pitch bend for 12-tet.

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.